Catherine Lamb’s muto infinitas

When:
October 27, 2017 @ 8:00 pm
2017-10-27T20:00:00-07:00
2017-10-27T20:15:00-07:00
Where:
Automata
504 Chung King Court Los Angeles
CA 90012
Cost:
$18 General Admission / $15 Students/Members/Seniors
Contact:

Christine Tavolacci and Scott Worthington perform the US premiere of a new work or bass flute and double bass, by Berlin-based composer Catherine Lamb.

Catherine Lamb is a composer exploring the interaction of elemental tonal material and the variations in presence between shades and beings in a room. She has been studying and composing music since a young age. In 2003 she turned away from the conservatory in an attempt to understand the structures and intonations within Hindustani Classical Music, later finding Mani Kaul in 2006 who was directly connected to Zia Mohiuddin Dagar and whose philosophical approach to sound became important to her. She studied (experimental) composition at CalARts under James Tenney and Michael Pisaro, who were both integral influences. It was there also that she began her work into the area of Just Intonation, which became a clear way to investigate the interaction of tones and ever-fluctuating shades, where these interactions in and of them-selves became structural elements in her work. Since then she has written various ensemble pieces (at times with liminal electronic portions) and continues to go further into elemental territories, through various kinds of research, collaboration, and practice (herself as a violist).

Christine Tavolacci is a Los Angeles based flutist, composer and educator specializing in contemporary and experimental music. Christine is active as a soloist, improviser, curator and chamber musician both in California and internationally. She is co-founder and co-director of Southland Ensemble, as well as a member of the Dog Star Orchestra and Gurrisonic. Her playing has been released on Orenda Records, Slub Music(Japan) and Tzadik. www.christinetavolacci.com

Scott Worthington is a double bassist and composer based in Los Angeles. As a performer, he plays in chamber ensembles, orchestras, recording studios, and as a soloist. His music has been commissioned by the Library Foundation of Los Angeles, Loadbang, the Ekmeles Vocal Ensemble, and numerous soloists. As a performer-composer, Worthington has released two albums to critical acclaim on Populist Records. The most recent, Prism, features his own music for solo bass with electronics and bass ensemble and was named one of The New Yorker’s top ten classical albums of 2015 by Alex Ross. In 2017, Worthington became the principal bass of the Redlands Symphony and the Artist Teacher of Bass at the University of Redlands. www.scottworthington.com